72

2m, 2w, 2 either
1m 40-60, 1m 30-40; 1w 25-35, 1w 17-19; 1 either 40-50, 1 either 25-30

Young girls have been deflowered after death over the summer. As police detective Chris Alpert investigates, aided by detective wanna-be Tracy Knotts, they cross paths with Bill and Linda Barker, parents of three of the girls, and their babysitter Tiffany. Possible leads all hit dead ends until they interview Jim Cartwright, a member of the same congregation as the Barkers and Tiffany. An explanation of the situation is finally forthcoming, but no charges are filed in this close-knit town where the police chief has ties to the same church.

While 72 explores a sensitive topic, colorful characters keep the action moving along. Chris' frustrations mount as the investigation hits snag after snag before and after the 72 hours the chief has allowed for resolution, but a light at the end of the tunnel finally appears.

Production requirements are simple for this two-act play. Two sets alternate – Chris' office and an interrogation room at the police station. Partitioning the stage in two would easily accommodate the sets. Props are fairly simple: folders, papers, and a tray with drinks and cake. No lighting effects are called for other than dim-outs to indicate passage of time, and no special costuming is required.

72 gives a great acting workout to six performers. Chris and Tracy can be portrayed by actors of either sex, with their interplay allowing for a variety of subtext possibilities.